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Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Thursday, 6 October 2011

Music Review: My New Favorite Song About a Girl Named Amy

Posted on 09:54 by thor
♫ She sees a black cat hanging 'round my doorstep/ I'll need all day tomorrow to recover from today... ♫


My first experience with the music of Andrew McMahon was from the wall of televisions at the back of the Target Electronics Department. I was 17, it was 2003, and As You Sleep from Something Corporate's Album "North" was playing in the loop. I bought the CD and immediately had to backtrack to the previous 2 studio albums, 3 extended plays, and countless other singles and compilations. "North" was the last album by Something Corporate, Andrew McMahon's successful high school band. 


In 2004, while I was in my freshmen dorm room, a friend IMed me to inform me that SoCo was officially over and that Andrew was forming a new solo project, Jack's Mannequin. JM debuted 2 singles for fans to promote and I was hooked. Andrew's upbeat piano and expressive vocals had me pimping the band wherever I could. There was a slight departure of the emotional, adolescent themes of Something Corporate, but the lyrics still verged on immaturity. That was fine as I was 19 and still happy watching The OC. But something happened before the launch that changed Andrew McMahon's music forever.


Andrew McMahon was diagnosed with Lymphatic Leukemia. The documentary, Dear Jack follows Andrew's terrifying struggle with cancer. His very near death and miraculous recovery changed everything. Dear Jack features video of Andrew, almost skin and bones and looking like death, singing with a weakened voice, but his hands still find the piano keys with grace. Andrew's Christmas single, Lights and Buzz, followed his recovery and expressed the sentiment of joy at being alive for another holiday.


"The Glass Passenger" was the next album and it was beautiful. My husband, who prefers metal and gothic synth-pop, was thoroughly impressed with Crashin. My personal favorite was Hammers & Strings. There was the unfortunate unintentional comedy of Orphan, but overall the album was a win.


So when I found out that there was a new album due October 4th, I pre-ordered it on Amazon. It came Monday afternoon in the mail and I leaped to my car to shove it in the CD player and drive.


SCORE: 4.5/5 ★  Read the Breakdown Blow the Jump

♫1) My Racing Thoughts ★★★★☆
The first track starts with a classic, upbeat Andrew Piano tune. It's everything you would expect lyrically and musically from a Jack's Mannequin tune. 





♫2) Release Me ★★★★☆
Like American Love off "The Glass Passenger", Release Me is a bit more rock and roll with a slight 80's feel to the guitar. It's another musically strong, lyrically strong track. At this point in the album I was glad to have more JM music, but not thoroughly impressed, because I like to see evolution from the artists I listen to.




♫3) Television ★★★★★
This was where I started to see a change. Previous lyrics by Andrew McMahon have seemed cynical about faith. Last Straw especially, implied that God was a convention of human sociology. Lyrically, in Television, I saw a shift towards a more spiritual side. It may still be uncertain, but at least the attitude is positive and humble.


Vocally, Television shows that Andrew McMahon has become more comfortable with his voice. His vocals do not loose the expression, but his belts become richer and more confident.





♫4) Amy, I  ★★★★★
Amy, I is, hands down, my new favorite song about a girl named Amy. It has some decent competition with Elton John, Switchfoot, Pure Prairie League, and if you go with alternate spellings, Damien Rice in the running. Not only is Amy, I a great song musically, the lyrics have a special meaning to me. It's not just because my name is Amy.


Amy, I tells the story of a man who is living in a climate much colder than his usual, to be with a girl he loves. He's associating the bitter cold with the memories of new love. It's worth it to be there "trying to fight this freeze."


My now husband spent a year in Massachusetts during the winter with the epic ice storm that took out power across New England for days (in some places, weeks). We were engaged and he was looking for work up north. He eventually found a job in Alabama and we spent nearly a year long-distance before our wedding. With that context, it might be understandable why I cried when I heard this song.


The guy in this video even looks like Kyle with the glasses. :)





♫5) Hey, Hey, Hey (We're All Gonna Die) ★★★★☆
Great title, right? After his near death and the brutally honest mortality of "The Glass Passenger", I had no doubt that this song would have autobiographical qualities. Indeed, this song is about his journey through his solo career and his struggle for survival. Andrew beautiful describes his diagnosis with this poetic lyric.


The label looked proud/ the New York show sold out/ but I noticed a change in the weather// it's getting cold/ could you hand me my sweater?


This song, in conjunction with "The Glass Passenger" tells a story. "The Glass Passenger" is filled with fear, fragility, and mortality. Hey, Hey, Hey (We're All Gonna Die) shows an acceptance of that fact. We are all gonna die, so we need to live.


Plus, the music video has ROLLER DERBY, and I'm a Derby Girl.




♫6) People, Running ★★★★☆
People, Running continues that story. We're All Gonna Die. That fact has been accepted. But let's not think too much about it, this song says. You can't dwell on the meaning of life and death if you are going to live your life.


We are only chemical and skin/ barely strapped in for this air-conditioned ride/ we are tired of waiting/ still we stand in line


We are just these people running around/ and I am in no hurry to figure it out


It's upbeat and well-written. The drums are really solid in this song.




♫7) Amelia Jean ★★★★★
Amelia Jean is another song that shows Andrew's new-found vocal comfort. It's also one of the first where he relies heavily on background vocals to create his music. There are hints of it in other songs, but for the first time in my memory, he really uses vocal harmony to add to the song.


Amelia Jean moves on to another personal theme. Andrew McMahon married after his recovery from cancer. He's also a touring musician, so it's not hard to imagine that this song is close to his heart. Amelia Jean is about traveling and being constantly away from the one you love. 


It's a wonderful, beautiful song. It's one of my favorites to sing along with when he belts, too.





♫8) Platform Fire ★★★★☆
This song is has some of the richest piano on the album. As an artist in a family of supportive artists, this song also carries a very touching sentiment. You don't talk me down/ you're talking me through.






♫9) Hostage ★★★☆☆
Hostage is a fun song, but overall I'd say it doesn't stand out against the rest of the tracks on this album. Don't get me wrong, it's a great song, but when this album isn't so new to me I'm eager to hear Amy, I again, I might press next.




♫10) Restless Dream ★★★★★
A sleepy, sincere song, Restless Dream comes back to the theme of being away from the one you love. Andrew McMahon is a piano player, but this song is predominantly acoustic guitar. Other stringed instruments work their way in after two minutes and I'm pretty sure I hear some woodwinds as well, but the piano, if there at all, is incredibly subtle.


It's a perfect melody to showcase the unrivaled emotional expression from Andrew McMahon's vocals.


It's funny how the words we never say/ can turn into the only thoughts we know




♫11) Casting Lines ★★★★☆
There is a quality I cannot quite pinpoint about Casting Lines that reminds me of the great piano pop men-- Elton John, Billy Joel, etc.  On the regular album, this is the last track. It's a perfect wrap-up for an album, a song about coming home.







BONUS TRACKS (iTunes only)


No Man Is an Island ★★★★★
Ten Days Gone ★★★☆☆
Dancing With a Gun ★★★★☆
Broken Bird ★★★☆☆
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Posted in andrew mcmahon, CD, jack's mannequin, music, review | No comments

Monday, 15 August 2011

Book Review: Vs. Reality

Posted on 21:51 by thor
by Blake Northcott
★★★★★

Available for 99¢ on Amazon Kindle

Vs. Reality is a quick and engaging read that will keep you pressing that [Next Page] button until there's nothing left to read. The first volume is short, but creates an entertaining introduction to a series that promises longer future volumes. It's an amazing debut from a first-time author, blogger Blake Northcott.

I bought Vs. Reality on the reputation that Northcott had already built up as one of my favorite bloggers and tweeters. The thing that impresses me most about her reviews is that Northcott seems to be one of the few people out there who understands that Entertainment Value is value.

So often we see fun movies, novels, and TV shows discarded because they aren't artistic or deep enough or because they *gasp* have some kind of mass appeal. Rarely do we see anything involving super powers getting any kind of praise by the serious critics because they forget that not every movie has the same purpose as Black Swan. Northcott has never been one to shy away from praising the commercial action movies, so I knew that no matter what, Vs. Reality was going to be fun.

Vs. Reality
 tells the story of Donovan Cole, a fighter who is used to concussions and beat-downs. When a chance encounter with a mysterious girl drags Donovan into her serious drama, Cole takes a hit that triggers a glitch in reality and allows him to manifest super-human abilities based on his own self image.

Vs. Reality blends the aesthetic of a comic book movie with the mind-f#@& of a Chuck Palahniuk novel. There's the suped-up action balanced well with gritty imagery. If there is one thing that I noticed straight from the start of Vs. Reality, it's that Blake Northcott is amazing at writing uncomfortable imagery. At her best moments, her imagery gives you a shiver reminiscent of that nails on the chalkboard sound. At the very least it makes me think of some of the more cringe-worthy impressions from the Aeon Flux cartoons.

In the end, Vs. Reality is a lot of things. It's an adrenaline rush. It's a commentary on addiction. It's the source material for a future summer Blockbuster.

Spend that 99¢ and get yourself a Kindle copy of Vs. Reality. Don't have a Kindle? Read it on your iPhone, Mac, PC, Blackberry, etc... (see how).

The 2nd Volume comes out in October, 2011



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Posted in Blake Northcott, book, fiction, review, superheros, Vs. Reality | No comments

Tuesday, 9 August 2011

Music Review- The Wombats Proudly Present: This Modern Glitch

Posted on 06:40 by thor

Fans of the Wombats may remember their first album- Tales of Girls, Boys, & Marsupials. It was raw and the lyrics seemed to tell the story of a train-wreck man falling in love with the wrong women (his doctor, a stripper, the bride at a wedding). It was one of those albums that goes on loop in your car without a single track that you dislike enough to press "skip."


This Modern Glitch repeats that success. Sure, I have favorites, but the album, in its entirety, loops in my blue Focus as I drive to work, the the store, and to roller derby. It has been there since my birthday in early June with very little break.

The songs that stand out? "Tokyo (Vampires & Wolves)", "Techno Fan", "Perfect Disease", and "Last Night I Dreamt..." The lyrics are witty, the music is energetic, and the Wombats have evolved. They continue to maintain that clever honesty, but their raw, sometimes chaotic British rock has mated with electronic music to create an amazing new sound. It was not what I expected, but electronic music is the way of the future and it is welcome.

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Posted in music, review, the wombats, this modern glitch | No comments

Sunday, 12 June 2011

Book Review: Soul Quest

Posted on 16:50 by thor
by Amy Jones
★★★☆☆
Available for 99¢ on Amazon Kindle


Soul Quest starts off in need of a tough editor, but rounds off to a formidable first publication. Structure problems early on do not stop Amy Jones' story from being suspenseful and touching.

I read Soul Quest on my Kindle for a humble 99¢. When I posted my review on Goodreads, Amy Jones contacted me to thank me for my review. She is a smart, gracious, level-headed woman who can appreciate constructive criticism. I highly recommend Soul Quest because-- while the first acts of the book are a bit shaky-- it pulls together to be what promises to be an engaging trilogy. Plus, you can't really go wrong for less than a dollar.



Soul Quest is one of those books that has a really excellent premise but could have stood to be edited a few more times. I feel like the indie writing community has been really supportive of Amy Jones, but perhaps because of the glowing support, she hasn’t had anyone be honest with her. George Lucas realized after it was too late that he had spent too much money making The Phantom Menace a terrible fuster-cluck of a story. Nobody told him they had doubts because he was freakin’ George Lucas, but the Star Wars book series shows that it could have been saved. Lucas has good ideas, as proven by the original trilogy.

Luckily with books, until they are published or the release date is announced, it’s never too late to fix some major problems. Hopefully, as Soul Quest is the start of a trilogy, Amy Jones can learn from some of the problems with the first book. Soul Quest may have suffered from a lack of a tough editor, but it is in no way irredeemable. I enjoyed the book overall. Everyone needs feedback and editing, even if they don’t have a major publishing house behind them. Amy Jones just needs to find a tough friend to help her hone her ideas.

The premise, that demons (we’ll call them demons for those who haven’t read it) would orchestrate a world event on the scale of 9/11 to start a war and feed off of the suffering of humanity is brilliant. I’m still not sure if it’s too soon to use 9/11, but that was a bold risk and I can’t say I was determinately against it.

The real problem is with the structure. Jones jumps between multiple narrators and relies too much on telling us her backstory rather than showing it. We meet Liv at the start of the book and then jump back in time to just before her birth. This is a smart choice, but one that sets up a missed opportunity.

As we go through the years bringing us back to present, Liv could have been used as an outsider. Characters who were insiders could have taught Liv all of the backstory we needed to know as readers. I think Jones worried that if she didn’t explain it all early on, she’d lose her audience, but I would rather be left curious than read multiple paragraphs coldly explaining how spirits in this universe work. We get back to near-present about 20% of the way through the book (according to my Kindle progress). In the first of a trilogy, that is not too long to wait to really understand what is going on.

Because the narrator changes, I often found myself confused over who was talking. Changing first person narratives need very distinct character voices and not too many of them. A third person narration-- or one that jumped simply between Liv and Beau, would have been easier to manage. She might have lost some opportunity to hear how the head of the oracles felt, but I’m not sure we needed that. Literary critics bash on female writers for talking too much about feelings and not about events. I’m a woman and I maintain that you need to understand emotional processes to understand motive sometimes. We just have to be sure that we try to show feelings rather than tell them, where we can, and that we don’t forget to be concrete about what is actually happening in a scene.

As for formatting, the Kindle version had some flaws. From my own experience, I’m going to guess that return spaces were used where section/page breaks should have been. I found quite a few blank pages between chapters in my read. I also would have liked to see some kind of formatting change between first person, past tense narrative and first person, present tense thoughts. There were a few minor homonym switches (wondering/wandering) that an editor could have caught, as well.

Jones starts off every chapter with a quote. I like it. I’ve been doing the same thing in my book series. Jones isn’t limited to famous Greeks like I am. Jones doesn’t limit herself to pretty, popular, neat inspiration quotes either. She boldly quotes Hitler at a poignant moment.

The descriptions in Soul Quest are quite beautiful. I especially like the description of Arcadia (and that she chose to call it that). Her interpretations of demonic infection, guardian angels, and soul mirrors are clever and serve the story well.

I tend to have a problem in modern fiction when everyone has names that sound like Bratz dolls. It’s my own personal taste and I try to put it aside. Real people have odd names like Brayan, but I like to see them balanced out with normal, common names. That’s probably why I was tickled pink that an oracle, a spirit, a non-human character, was named Kevin. My best friend always wanted to name a hamster Kevin because it was so normal and non-threatening. Naming him Kevin gave me a laugh. I think it’s good when you can find little spurts of joy in something as heavy as a post-9/11 spiritual drama.

As for the characters, I thought they were all very distinct and well rounded. Brayan reminds me of one of my own characters in his heart-breaking insecurity and just as Jones intended, I can’t help but like Laith. I think I liked his narration best. It was sweet, genuine, and distinct. Laith is one of the few characters who isn’t as-smart or smarter than the writer and so his simple diction was refreshing. I am a total Hermione Granger type. Laith’s thought-process was endearing without being too stereotypical slow kid.

More than half-way through you start to see the kids discovering and using their powers. It’s cool, but I feel like it would have been more exciting if we hadn’t gotten a Cerebro File-esque breakdown of their abilities much earlier in the book. Again, I feel like some reorganization and cuts could have made this book a 5-star, easily. By the time the third act was really taking off, I was eager to join the cast and shank the baddie with a light sword in the school cafeteria.

The final act really showed the true potential of this series. Jones writes grief beautifully and genuinely. She has created a cast of balanced, diverse characters and a story I care to see resolved. Soul Quest is an honorable first publication and I believe that I will be reading the next book on my Kindle to see if it gets better.

One last idea. What if this book was subtitled: Soul Quest: The Daeva You Know. Just an idea.




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Posted in eBook, Kindle, publishing, review, teenage romance | No comments

Wednesday, 27 April 2011

Hanna: A Complete, Multi-Layer, Film Experience

Posted on 07:49 by thor
For my first wedding anniversary I received a gift of paper, according to tradition. Paper was in the form of tickets to see any movie at the theatre local to my parents. The problem was that this theatre is small and doesn't show much. The choices seemed to be horror and the flood of celebrity-voiced 3D animated movies that are out right now-- and not even the Johnny Depp one!


Thor isn't out until next week and Brides Maids until the week after. I wasn't excited for much, so we took a shot on Hanna. I'm glad we did. Now, I'm not sure if Hanna being one-letter short of the spelling that is a palindrome was purposeful (I found it oddly symbolic), but every other image in the movie was quite deliberate. Hanna is an expertly crafted film and deserves better than the 71% it currently has on Rotten Tomatoes.


I'm going to try to be spoiler-free here, and so past the premise I'm not going to tell you anything about the story. Hanna (Saoirse Ronan) is a teenage girl raised in seclusion in the woods. Her father is training her to be some kind of elite killer and to have constant vigilance. The film starts with Hanna killing an adult deer in the frozen wilderness and that symbol isn't entirely clear until it is completed at the end of the piece.

Every bit of sound design is expertly chosen. Sounds like the crunching of snow draw your attention to later, more meaningful choices like the rhythm of a ceiling fan or the jarring, raw chip tunes played in combat scenes.

At the top of the film Hanna finishes her preparation and leaves the world she was raised in. Leaving the forest becomes her own Into the Woods experience and from here on out, the movie is pitch perfect. We don't know why the delightful villian, Marisa (Kate Blanchet), is trying to take her and kill her father (Eric Bana). We don't know what Hanna has been prepared for. Those mysteries are answered, but more important is the coming of age story that takes place.

The urban environments outside of nature are alien. The music and the bizarre environments immerse the audience in Hanna's perspective. Everything is new. Everything is strange. The art direction never takes the easy way out-- making the audience feel uncomfortable with sexuality-- and keeps Hanna innocent. Even the comedic moments are derived from awkward moments in socialization. Some of the best of these moments come from the strangely candid comments from her new teenage friend (because most teenagers just don't have a filter).

The fight choreography is well designed and well executed. Even the violence is disconnected. The film maintains a PG13 rating by keeping the real horrifying acts off camera, but this also serves a more artistic purpose than pleasing the ratings board. The disconnect translates to Hanna, showing how she is disconnected she is from the atrocities she has been trained to commit.

Then we have layer upon layer of symbolism. The deer is just one example. Throughout the film there is a Grimm's Fairytale element that continues the theme of Into the Woods.

Hanna is a well-planned, beautifully filmed and acted coming of age story nested inside a spy thriller. It's a must see for Spring 2011.

Final Grade: A
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Posted in Cate Blanchett, Hanna, movie, review | No comments

Monday, 11 April 2011

Your Highness: Funny in Context

Posted on 06:17 by thor

I am going to have to preface this review-- in the spirit of full disclosure-- with the following statement. I adore Natalie Portman. It is rare I find major fault with her work, and usually it is with the overall film and not with her performance. Now that you know where my bias stands, here is my attempt at an objective review of Your Highness (R) starring Danny McBride, James Franco, Natalie Portman, and Zooey Deschanel.

Your Highness was full of a lot of crude humour. I am, first off, going to give it credit for never making potty jokes. I really can't stand teen comedies where someone has to reach into a toilet or gets crapped on. It's sickening, more so than blood and guts and the raunchiest sex joke. Your Highness never went into toilet humour.



The problem with Your Highness is the sheer volume of sex jokes. That's not to say that adult humour has a limit, just that when it's as copious as it was in this flick, it tends to be more noticable which jokes are better than others. Some moments in the film lead to repeated fits of riotous laughter (particularly Thadeous' trophy). Others seem forced. There is plenty of room for immature humour to flow organically, but more than a handful of jokes in the film seem inserted just to fit them in somewhere.

This comes to the main point of my review. There is a context through which to view this movie that accounts for the forced adult humour and anachronistic exclamations. Maybe it was easier for me, being a gamer and only out of college since 2008. That's right. You got it. You need to view Your Highness as a tabletop role-playing campaign taking place in a college dorm.

Can you see it now? If you haven't seen the film, let me spell it out for you in the most spoiler-free way I can. Fabious (Franco) is played by a veteran gamer who knows how to stack his stats and loves to role play the hero. Belladonna (Deschanel) is played by his girlfriend, who at first came along because she wants to do everything with him, but later gets into it. Thadeous (McBride) is played by the nerd who fancies himself a frat boy and is more interested in tail and loot than the planned heroic quest.

The Game Master, who controls the rest of the cast of characters, has a pretty well thought-out, epic plot. There are stages to the quest, a Campbell-esque hero's journey, and though it's a tad predictable how the plot will develop, it's still fun to be part of the adventure. At times he has written epic speeches for the villains and at times their back-talk and inquiry catches him off guard and he slips out of his character voice and into something more wry and a little bit silly. Despite his goofy moments, he knows his players and he knows how to lure them down the path he has written with naked women and carefully plotted extras.

And then in comes the hard-core gamer, Isabel (Portman) who took numerous social flaws and stacked her character for combat, courage, and conviction. She doesn't quite get the point of having any social strengths in her character because she came to take names, not make friends. She's hyper-violent and probably the only person in the quest who would be able to get there without heavy-handed Game Master hints.

The acting in Your Highness definitely supports this theory of viewing. None of the actors played it for camp. They are very serious as they deliver the most absurd lines or even feast at a medieval table on snow peas and fish fingers. Portman, in particular, keeps a wonderful commitment to her roll, even when her alliterated lines take a turn for the filthy.

The movie is good-looking and the music is great. The visual effects, for the most part, are effective. There is one Portman fight scene where she's flying around fighting a monster and I was reminded of the troll in the dungeon of the first Harry Potter movie (it was bad). The puppeteer for the wise-wizard wasn't that great either, but I have a feeling that was more of a send up to the old Henson films like Labyrinth than an honest attempt at a cool effect.

The fights, even where the effects failed, were all fantastic. They were few enough that you cared about the characters and didn't space out. They were paced and easy to follow. The characters all had a fighting style that suited their personality and skill.

The bottom line of the review is this: If you pay any attention to the opening credits, you should know what you signed up for. It is a stoner comedy. Too many reviewers review every movie by the same standards. 300 doesn't have the same goal as Black Swan and they should not be compared. Your Highness was a low-brow stoner comedy and as that, it was successful.

If I was going to give it a rating on Netflix, I'd be between a 3 and a 4, so we'll say 4 stars so long as you don't have delicate sensibilities about sex jokes and drugs. If you don't want to hear perversion, don't see it. It's as simple as that.

Final Score: B
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Posted in Danny McBride, James Franco, movie, Natalie Portman, review, Your Higness, Zooey Deschanel | No comments
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Blog Archive

  • ▼  2011 (94)
    • ▼  November (2)
      • Retirement
      • Dear Jack
    • ►  October (11)
    • ►  September (11)
    • ►  August (16)
    • ►  July (15)
    • ►  June (10)
    • ►  May (17)
    • ►  April (12)
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